Rock Paper Shotgun (1 hour ago)
With the devs behind RimWorld gearing up for their next game with a recent engine switch, it’d be entirely fair if you were hankering for something new (if still familiar enough) yourself.
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Peter Molyneux feels like a man who can never die. He’s just sort of always been there, and seems like he always will be, making some kind of game where you can hypothetically do what you want, never quite living up to expectations. But hey, he’s Peter Molyneux, what else would you expect?
Five years on, Inscryption’s blood sacrifice mechanic, from one squirrel to a pair of pliers, still shows how little convincing it takes.
It’s not just the principle of the thing: There could be more money up for grabs.
At least there’s still Assassin’s Creed Jade to look forward to.
Wildwood is great, but if you’re after something even better to watch, check out Tim Burton and Laika’s 2005 animated masterpiece.
I’ve taken a habit, recently, to proclaim my desire to explode in lieu of anything more realistically violent I could wish upon myself when I feel stressed.
Earlier this year, Swedish developer Liquid Swords released Samson, a GTA-ish, open world beat ‘em up about dealing with debt, driving sturdy but battered cars, and saving your sister. It wasn’t received all that well, including by us, notably because it was quite broken.
Saturday’s are for having your mind read. Or, at least, this Saturday is because I’m seeing Derren Brown’s new show.
After enjoying Echo Weaver last week, I’m in the market for games that gaze with utmost scorn upon the concept of unlockable abilities, smugly declaring that everything you need to complete them is available to you from the word go.
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