Rock Paper Shotgun (1 hour ago)
Hello all! Welcome to another wonderful week of PC games, and mounting bloodlust. As I type these words, a neighbour has started using a leafblower. I hate leafblowers. They are mutant hairdryers from Hell.
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Bullet-dodging PlayStation shooter Saros has welcomed a sizeable Zenith update today, which has the twin aims of making the game both more accessible for those who haven’t played it (or are struggling to get into it) and more replayable for those who have.
The PS5 shows a variety of light colors to indicate its status, and orange thankfully isn’t the alert you might expect from that color.
In a metaphor far too on the nose to turn into any form of fiction, at least without the writer getting mercilessly cyberbullied, a game about finding a needle in a haystack has now become the genuine needle at the heart of a pile of imitators.
This year has seen two highly-rated and beloved Star Wars games in the XCOM-like Zero Company, and the Burnout-like Galactic Racer.
It took me longer than I’d like to admit to realise something obvious about Star Wars Zero Company.
The PlayStation 3 arrived in 2006 and shouldn’t have any right finding a place in a modern media center. Here’s a number of reasons why it should make a return.
Good news, people who figure they are going to die of old age before they get another Dino Crisis! Good news also, people who can’t get enough throwback immersive sims!
Rumours of Troika classic Vampire: The Masquerade - Bloodlines potentially getting the remaster or remake treatment have surfaced. They’ve come from two places: one being the fairly standard source of poster on a game leak-obsessed section of Reddit, the other being rather more unorthodox.
Sundays are for firing up Twine again and thinking you know what, if this swanky IF plotter had been around when I was an undergraduate, I might have preserved all my exam revision notes in text adventure form.
Picture this. You’re me, and you boot up the demo for Rain98, an incredibly blue-looking, rainy visual novel set in Tokyo, 1998, about a woman who refers to herself as the Angolmois, a world-ending reference to the predictions of good ole Nostradamus.
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